Chapter fifteen explores the meaning behind the title of this defy, I enjoyed this chapter the most since it really gives you a look at what Rushdie is say, and what his meaning is. The screen back territory beneath her feet symbolizes so many things; an reckon of Vinas utmost(a) day, what Rai and Ormus godliness about Vina, the angry gods, smell of hell, and it is the final good fling from Ormus to Vina. Rushdie uses great imagery in this chapter to really put the fork up in your mind of what it looks like. It is also the time in the book where Rushdie starts to wrap things up, and the reader is taken to a different level. or else of all the constant fusss these characters have, Ormus and Rai now have to deal with saying goodbye to the matchless they both loved, Vina. Each character deals with their problem individually, Rai takes pictures, and Ormus writes her a song, but both convey the same image of the ground beneath her feet.
In my last photograph of Vina the ground beneath her feet is cracked like crazy paving and theres politic everywhere. Shes bending left to compensate. Her arms are spread wide, her copper is flying, the expression on her face is halfway between animosity and fear. Behind her the world is out of focus.
There is a palpate of eruptions all some her lurching body: great releases of water, terror, fire, tequila, dust(466). Rais last picture of Vina is something that he will cherish forever, while she is the one that is in focus, the one that he loves, everything else is just exploding all around her, how Rai really feels inside whenever he sees her. It is not hard to fancy this scene in the novel; Rushdies words are...
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