The War On Drugs in America

The media's war on doses includes a host of reality-based law enforcement programming that is designed to allow the ravisher a bird's-eye view of fighting drug dealers and woeful in American beau monde. However, these shows ar often biased, empathize with clear enforcers at the expense of demonizing nonage holdrs, and allow for law enforcement officials to stand for the "whole" story as if they were judge, jury, and hangman. Anderson discusses how when the war on drugs began the grandiosity associated with it focused mainly on white-collar cocaine users. These users were depicted as hard-working, otherwise decent citizens who through some gang of self-discipline, treatment and religion could once again be restored to society as a respectable member. Yet, once the rhetoric and side in the war on drugs shifted to minorities, the bear witnessation by the media of minority drug users and sellers was quite different than the ones formerly used to present white users "As the cocaine crisis became defined as an urban, obtuse problem the cocaine/crack narrative shifted from the therapeutic to the morbid?from treatment stories about middle and upper class users to mobster and race narratives. When the drug narrative turned to pathology, abusers became sinister ?Others' with around no prospects for becoming ?one of us.' These rituals of exclusion have criminalized dingy drug users and, indeed, remain the dom

The causality is also critical of the way the media show of drug use has fragmented the whole narrative of the problem of drug use among minorities. Anderson (184) argues that drugs, criminality, and young down(p) men have become a media mantra, one that focuses on the vernacular and violence of young black males at the same time it excludes mention of the "economic and affable dynamics that explain" the situation.

The reality-based TV programs that follow law enforcement officials into these dens of barbarism do not provide any kind of tuition on the individuals living there, the social or economic conditions which impel some of them to sell and/or use drugs, and the hopelessness that drives many minorities to become involved with drugs. Education and pr change surfacetion are approaches seldom taken, instead, these reality based police shows glorify law enforcement and alter young blacks "Public approval for the policies that exacerbate the problem of drug abuse and law-breaking continues to be secured by the reality crime programs that champion law enforcement to the exclusion of any discussion of reproduction and prevention" (Anderson 198).

inant media interpretation" (Anderson 193).

Anderson, R. K. Consumer Culture and TV Programming. Westview Press, 1995.

Therefore, we can probe that the media is guilt of many sins of omission and exclusion in its presentation of imagery regarding the war on drugs. Not only are media narratives often fictionalized, but they are biased against minorities, smack of racism, horde the actual facts, and go so far as to even violate the constitutional rights of the suspects presented in the programming. Focault's writings on society, surveillance, and prison house include the argument that just the mere fact
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