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Friday, November 9, 2012

Stories Depicting Inequality between Mexicans and Americans

Her grandmother is typical of the move aristocrat, unable or unwilling to relinquish her position of superiority over the lower classes, point though they ar poor. She makes a small fortune selling her collection of dolls and magazines for $50,000, and Dona Laborde remains the " tzarina of nostalgia" (Fuentes 1995, 7).

Don Leonardo's wife is the typical aristocratic elite female. She enjoys her position, is wicked to the lower classes, and she uses her wealth to pursue a life of luxurious pleasure and superficial aims. As Don Leonardo tells Michelina, "Don't be surprised at the way your godmother looks?She decided to get a face-lift and even went all the way to Brazil to be done by the famous Pitanguy. When she came indorse, I didn't recognize her" (Fuentes 1995, 9). Wo men and men of both classes often exist in unlike spheres. Michelina is the like a nun in an "Yves St. Laurent" habit, while Dona Lucila ensures the success of her political party by making sure that the men are non around during it, "Go out to the ranch and don't come back until late. We want a party just for us girls, so we can relax and gossip to our heart's content" (Fuentes, 1995, 13-14). The women admit to being without men but "sure thinking about them!" (Fuentes 1995, 16).

The storey "Pain" shows the distinctions among elites and peasants and how education often fails to bridge the differences and inequalities between the two. Juan Zamora is studying medicine at Cornell. He falls in lov


e with Jim Rowlands, another checkup student. Juan's homosexuality will never be tolerated by his family and the machismo orient Mexican culture. However, Fuentes points out that prejudice is alive and well in both Mexico and the United States, a force that permeates the lives of much than homosexuals. We receive this when Juan's hosts, the Wingates, theorize about why they changed their attitude toward Juan when they discover his birth with Jim: "Had they allowed themselves to succumb to irrational prejudice? They certainly had. But prejudices could not be removed over night; they were very old, they had more reality they did than a political party or a bank account.
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Blacks, homosexuals, poor people, old people, women, foreigners, the list was interminable" (Fuentes 1995, 48). This demonstrates that even more than politics and revolution or economics and class inequalities, prejudice is responsible for relations between men and women, velocity and lower classes, and Mexicans and Americans.

In sum, despite the different experiences of Mexicans and Americans, despite the different experiences of wealthy elites and poor peasants, despite the different experiences between women and men, the boilersuit message of The Crystal Frontier appears to be that people are people no matter what and should learn to accept all(prenominal) other for who they are. From greedy and callous characters on both sides of the border, as members of all classes, and from both genders, Fuentes demonstrates the need for people from all cultures and at all socioeconomic levels to attempt greater understanding and espousal for each other. Women of both classes and in both nations are fluid controlled by economics, sex, and patriarchy. Fuentes appeals for greater bonding of countries, classes, and genders. As he writes at the end of the hold out, "poor Mexico, poor United States, so cold from God, so near to each other" (Fuentes 1995, 266). In this way, the work is a call for greater compassion a
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