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Monday, February 4, 2013

Let the Right One in

Table of Contents

Table of Contents2
Introduction3
Foley and Sound project/FX4
ADR ( Automated Dialogue Replacement)5
Music and Ambience6
prevalent smorgasbord7
Conclusion7
References8
Photo References8










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Introduction

The purpose of this report is to analyze the various(a) carry production aspects featured in the movie, Let the discipline One In. The analysis is based on a few bits and pieces from the movie which I found to be applicable to certain aspects of audio post production. I will be covering topics such as:
Sound Design and FX
ADR
Foley
Music
Dialogue
Ambience
General Mixing















Foley and Sound Design/FX

In the opening scene where the entry credits are rolling in, we see dimly illumine atomic number 6 falling against the dark sky background nevertheless we also hear the snow falling which is unusual from a realistic point of view, since snow does not make any noise while falling.

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As the director himself, Tomas Alfredson, points out in an English audio commentary track from the UK DVD release, fifty-fifty though falling snow does not have a sound in and of itself, in our minds this unconsciously does have unrivaled and as such he saw fit the they should function Foley recording and sound manipulation techniques to obtain the desired effect. The post production crew under the supervision of Per Sundström save the sounds of sparkling bubbles of mineral water and sugar falling onto a hard surface, combined the two and slowed it down to 25%.
…snow hasnt got any sound if you listen when snow falls. But in spite of appearance your head it has a sound, doesnt it? I think it was comparable infinitesimal bubbles in mineral water which was recorded in a very high resolution. And then we took the speed down to like 25% or something... And its also sugar falling onto a very hard surface like if it was marble or a very stiff table... (Alfredson)
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