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Sunday, April 7, 2013

Painting in the Second Half of the Nineteenth Century

Painting in the Second Half of the Nineteenth Century

        During the second half(prenominal) of the nineteenth century, the ideal of egotism-determination

fostered by the French Revolution and blossom by Napoleon helped spawn a revolutionary

disposition across Europe. This spirit of rebellion also infected artists of the period. Painters

began to challenge the philosophy and the aesthetic principles of the academies, looking

outside these conservative institutions for their training, subject matter, style, and

purpose. While many artists and critics promoted the status quo, others seek change,

seeing validity in new themes and new approaches. To many artists, the histories and

mythologies relieve promoted by the academies offered no inspiration, and so they turned

elsewhere for their subject matter. Some looked to nature, others to passing(a) life, and still

others to themes of the worker, the poor, and the oppressed. As they sought alternatives,

many artists gathered in groups based on common interests. Outside the established

mainstream of their own time, the Realists, the Impressionists, and the Post-

Impressionists broadened the horizons of Western art.

        Gustave Courbet (1819-1877), a self declared Realist, rejected the inherent

sentimentality of work by the Romantics. Courbets interest in portraying things as they

really appear, together with his nonacademic orientation, placed him in the see rank of

the quest for realism, the premise for much of the artistic application of the period. Michael

Wood quotes Courbet as saying: It was not my intention of attaining the trivial object of

art for arts sake.

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