I have read Edmond Rostands Cyrano de Bergerac before, a ample time past in francais, and loved it. This time around, it didnt take a long time at all to remember why I was so captivated by the story. Why would Valvert dare to counterbalance care about Cyrano pushing around the Meddler, why even speak? Cyrano is already on a role, and everyone seems to know that you dont contend Cyrano de Bergerac, everyone except Valvert. Valvert opens his mouth and out comes a ridiculously uncomplicated insult aimed towards Cyranos characteristic snuggle.
        Thus, a beauti effectivey and hilariously indite monologue comes from Cyrano. His basis is nothing but his independent nose and how many ways it could be insulted. I love how this building block medley of insults designed towards his own stature results in an unconvincing insult to Valvert. Cyrano proves his own wit wonderful, and Valverts sorely lacking.
        Nevertheless, Valvert decides to speak at one time more and calls Cyrano a clown and questions where his gloves and ribbons are? Of course, Cyrano speaks of his adornments and then explains that he did have one glove, the last on of an old pair--and muzzy that. Very careless...Some Gentlemen offered me an impertinence. [He] left it--in his face.
Journal Entry 2, 7/25/04: p.
34
        The wrinkle between Cyrano and Valvert does not end peacefully; instead it ends in a affaire dhonneur. It was in no way an average duel though, instead a wonderful scene in which Cyrano decides to propose a Ballade Extempore. So as the two go on with their swords play, Cyrano delivers exactly what he premeditated, three stanzas of eight lines each, and a pause of four, and at the end of the last line--thrust home!
        Rostand composes a enormous scene in which Cyrano de Bergerac performs his Ballade of the duel...
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