Introductory music is variationed along with animated pictures. The Name of the curriculum ?Krew? appears on screen. Sounds of applauding can be heard. The screen fades to a host standing on stage. On stage there be two armchairs a coffee table with two provide and a jug of water on top.
compere: Thankyou rattling much. Welcome viewers to the Krew. Tonight we have a fussy guest David Williamson, one of Australia?s most successful playwrights. His play ?The Club? is best known for its representation of our sporting husbandry and we will be discussing the changes in football since ?The Club? was compose and the relationships of characters in the play as a whole. Please take in David Williamson.
Camera pans to David as he enters from the doorway. Close up as they shake their hands. Compere and David take their seats.
Compere: Welcome David, thank you for your time. After reading your play ?The Club? I established the biggest issues were the buying of players, power, loyalty and money. Can you discuss how you came upon these ideas?David: In the mid(prenominal) 1970?s I kept seeing these headlines, ?Coach take?, ?Player Walks Out?. It struck me why don?t people have a physical connection to their unite anyto a greater extent? What?s happening to sport? It?s a crossoer between loyalty, loyalty to the club, and loyalty to the almighty dollar.
I tried to catch football at this crossover point.
Compere: Yes yes, recently I was reading the papers and I came across an article addressing the Australian Rugby Union favouring other teams over others. The ARU was giving teams more money than others which gave them an upper hand, allowing them to buy damp players. Tahu and Tuqiri were offered $1.1million per season. Their coach was trying to persuade them not to take the more substantial...
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