From Child to Adult

His face was dark grey-headed and his back stiff, as if he'd just had an injection of iron, and my stomach pleasing of fell as I felt how hard the orb was going to be to me hereafter.

The other two works parade a more complex view of growing up and moving on - a complexity engendered in no small part because of gender itself. Boys are taught that they have to strengthen up, to disengage themselves from the love of their mothers and the domination of their fathers - and Updike's story relates this essentially Oedipal form on growing up. only girls - and especially daughters of family's who have belatedly immigrated - are not pushed so far from their natal home, still when they themselves wish to fly away. This is the picture of growing up. Esperanza lives with her family in their erect on Mango highway, a hall that her family loves because "the house on Mango Street is ours and we don't have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise, and there isn't a landlord banging on the ceiling with a broom." And barely, as Esperanza nookie at least see, this is not in reality home, not really the house that they were intended to live in.

And so even as Esperanza loves her family and understands the way in which this house on Mango Street anchors that family, serves as a portal through w

hich kith and kin can enter to meet distributively other and renew their love for each other, she dreams of another house that she herself will own one day when she is grown up, a house that is not on Mango Street and that does not belong to her parents but that belongs to her and helps her to create an identity that is apart from that of her family.

But then - because she is a girl, because she is Chinese-American, because authors now tend to present the creative activity as a more complicated place than Updike did - she becomes erst again the prodigy, trying to balance the costs and prizes of growing up.

Cisneros, Sandra. The business firm on Mango Street. New York: Vintage, 1991.

And then I proverb what seemed to be the prodigy side of me - a face I had never seen before. I looked at my reflection, blinking so that I could see more clearly. The girl staring back at me was angry, powerful. She and I were the same. I had new thoughts, willful thoughts - or. rather, thoughts filled with rafts of won'ts. I won't let her change me, I promised myself. I won't be what I'm not (http://www.angelfire.com/ma/MyGuardianangels/index9.html).

Amy Tan's narrator in "Two Kinds" is equal many of her other characters, a daughter who loves her mother and yet wishes to live her own, American li
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